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A typical kid from the suburbs of Rio de Janeiro starts to support the team that his idol, Neymar, plays for. To his father, this is an unforgivable betrayal.

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A gypsy girl is falsely accused of committing murder, and her defense attorney is the man who regenerated himself from low-life thanks to her.

In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

There were two series, each of six episodes, set in a fictional Yorkshire town and based on the books by David Nobbs, the creator of Reginald Perrin and Henry Pratt. Each episode took place at a different social function (a "do") and followed the changing lives of two families, the working-class Simcocks and the middle-class Rodenhursts, together with their respective friends, Rodney and Betty Sillitoe, and Neville Badger. Written by Martin Underwood {imdb@martinunderwood.f9.co.uk}

The 1948 South American Championship, won by Vasco, the first continental world champion. In the absence of period records, radio commentary was recreated, and the highlights were animated. The trajectory of CR Vasco da Gama up to that point: the fight against racism, São Januário as the country's main sports and social arena, and the culture dominated by Vasco fans.

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